John was active on the Committee of the Art Gallery, which was going from strength to strength. The new Museum in Queen's Park and the Art Gallery were, reported the Manchester press in July 1884, filled with treasures from local collections and loans from the Committee members, while Sir Philip Cunliffe-Owen and the staff of the South Kensington Museum had been of great help and many of the most interesting exhibits had come from their storehouse.
On 23 September 1885 John wrote to Alice with encouraging news
Our Art Gallery exhibition receipts are going on well – about £120 for the two weeks more than the same period last year. Our police returns again show a great and most satisfactory diminution in drunkenness and other offences. I am having graphical representations made of the statistics of a number of years – which I expect will quite bear out my optimist views of the improvement in these respects of the morality of our citizens [1]
The culmination of his work was in 1891, by which time he and Alice had been obliged to leave their rented home at Grove House on Oxford Road because the Whitworth Institute had bought the freehold and wanted to begin work on turning the house into an exhibition hall (which became the Whitworth Art Gallery & Manchester Museum; the field next door became Whitworth Park) [2]
So John was travelling in to Manchester by rail from his new home 'Inglewood', one of the villas and mansions springing up in Bowdon, which had become a popular Cheshire commuter village.
On 21 March 1891 the Manchester Courier reported the opening ceremony of the Manchester Arts and Crafts Exhibition. John, who was chairman of the Art Gallery Committee
occupied a central position on the gallery overlooking the main staircase, and he had on his right hand the Mayor of Manchester (Alderman John Mark) and Sir Philip Cunliffe Owen, of the South Kensington Museum
This exhibition was a new departure, John explained – to encourage young designers and, as they had done before, make the exhibition free to the public:
Hitherto they had endeavoured to do something to cultivate the taste of the public by the purchase of the pictures which adorned the permanent gallery, and also by the various exhibitions which had been held. But the present exhibition was intended to be an educational step. It was intended to give an opportunity to the numbers of young people connected with the various schools of design and other institutions of cultivating both the eye and the hand. They had not exercised a great amount of selection because they thought that would defeat the object they had in view, which was to show what was being done among the young people of the city. Those whose works were considered of sufficient merit would receive the City Council medal …
The Art Gallery Committee have, with wise discretion, decided that the exhibition should be entirely free. (Hear, hear). It was the people's art gallery, and it was the committee's desire that the people should enjoy it, without let or hindrance. (Applause)
The South Kensington Museum had loaned many of the best exhibits, Sir Philip Cunliffe Owen explaining to the guests that "he trusted that the educational resources of the museum would never be entirely confined to the metropolis, but that they might always be shared in by the country generally".
But it was the press report of an event at the Art Gallery a few years earlier that is most revealing of the different undercurrents of society at the time.
John and his colleagues on the committee had always believed that the Art Gallery was an important public good. As the Manchester Courier of 4 September 1886 reported, the committee "were anxious that the benefits of the institution should be extended as far as possible to the poorer classes."
And so free admission on certain days was the obvious answer. On the afternoon of Sunday 4 December 1887 the Gallery's Autumn Exhibition was free to visit. The next day the Manchester Courier reported that between two o'clock and eight o'clock there had been 6,618 admissions. John and other committee members were there, lending the visitors catalogues, "all of which were returned in good condition"
A larger number of children than usual was noticeable yesterday, but the respectful demeanour of all classes exceeded any previous experience of the officials. It was observed that many of the crowd passing along the street in the afternoon with the Social Democrats turned into the gallery, and apparently found its bright and cheerful interior more alluring than the damp atmosphere of the yard of Albert-street police-station.
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| Henry Mayers Hyndman (1842-1921) |
The Federation's weekly newspaper Justice had called the day before for simultaneous demonstrations across the country. Their report spoke of the Conservative Prime Minister Lord Salisbury's "aristocratic hatred of the people" and the "tyrannous Government". "Success to the Social Revolution!" was the cry
The Tory Terror has now begun in real earnest, and it is no fault of the present government that Social-Democrats and Radicals were not butchered wholesale in our streets on Sunday, November 13th. Meanwhile, the miseries of the unemployed are entirely neglected by ministers, and not a single step has been officially taken to help our suffering countrymen
better to die fighting with sword in hand than to die like rats in a corner … They had been law-abiding so long, and had acted in an orderly and peaceable manner for such a length of time, that they were getting tired of it. If the Government and the authorities would not listen to their cry for work and for justice, and not for charity, they might yield to a stronger movement hereafter.
There was much poverty and hardship, but on the whole it was well borne, and it was well met by the helpfulness of the rich and of the poor
The co-operative stores, which strike at the root of the evil, will do more for the labouring classes than all temperance and such like societies put together [3]
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